Ouch. The film read well on paper, hinting at some Shakespearean linkage and a strong spiritual story of gangland London. It also boasted great cinematography, as we were told by the director of the EIFF, Shane Danielson, the directors come from a strong photographic background.

Well to be fair the cinematography is quite good and the film does boast some nice looking scenes, but the story comes across very poorly.



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